Lovecases Paradise Lust iPhone 7 Case - Jungle Boogie - Hot Sale

Enhance and protect your iPhone 7 with a taste of paradise with this stunning case from LoveCases. A durable frame offers a perfect fit, whilst a Jungle Boogie design adds a touch of on-trend beauty to your iPhone. Comes with a free screen protector.Paradise found for your iPhone 7Comprising a single piece of ultra-thin polycarbonate overlaid with a beautiful tropical themed artisticaesthetic, this iPhone 7 case truly brings the charm without ever being tacky. The Paradise Lust from LoveCases wraps itself effortlessly around your device, clinging to its every contour and providing protection while augmenting the aesthetic of your iPhone and looking simply stunning while doing so.Topical tropicalpatternOn the back and sides of this case is a stunning tropical themed pattern, which brings a touch of flair to your iPhone 7 and serves as the perfect blend of the classic andcontemporary. The pattern is aesthetically pleasing and catches the eye when the device is placed face down or while you're using it out and about - perfect for attracting a little extra attention at a party, for example.A shield case and a free screen protectorfor your phoneLest you think this case is just a pretty face, think again. A sturdy, rigid polycarbonate frame - which nevertheless has the perfect amount of flexibility to protect your device - shields your iPhone 7 from drops, scrapes and bumps. As part of the package, you will also receive a free screen protector which aims to add a further layer of protection for your screen, keeping it crystal clear and free from scratches.You really can have it all with this attractive and protective cover.Slim fitting and lightweightThis extremely lightweightcase provides excellent protection without adding any unnecessary bulkto your iPhone. This means that you will have no problems placing the phone in your pocket, bag or anywhere else. It also means the iPhone 7's natural form is preserved as well as protected.Designed specifically for the iPhone 7Designed specifically with the iPhone 7 in mind, you can rest assured that the ports and features of your device will remain fully exposed - including the rear camera, charging port and volume keys -so you can use your phone to the fullest capacity whileit is in the case.

And a lot of those people just want to support you. And will kind of go through the fiction of, "Yes, I will take the package, and I don't know if I can get another poster that's printed on silver paper of your band."There's also the idea of subscription, which is the way I've seen a lot of my independent musician friends going, which is kind of taking it to the next level, which is: I know you're out there, and I know you love me, and I know you want to help me, and I know we don't need to have fictional packaging in order for you to help me. So can you just agree that when I put out a piece of art, you pay me and it's on a kind of rolling basis. I think Kickstarter is maybe heading in that direction, and there's things like Patreon, which is being used by bloggers, where you basically agree to pay 3, 5, 10, whatever dollars..for a monthly pass. [Some] fans are building their own subscription sites.

What's the difference between swag and music? Palmer: The music is not a poster, the music is the music, The bridge that needs to be gapped or crossed or whatever is that we're using physical stuff to justify your giving me money, Is there a way to get around us having this relationship and for me to have more money for me to send you more s--t?, What are some of the problems in choosing appropriate crowdfunding incentives? Palmer: When I did my first big proto-Kickstarter, which I actually lovecases paradise lust iphone 7 case - jungle boogie did straight off my Web site, when I put out my EP of ukulele covers of Radiohead songs, and that was my first big independent: here's a bunch of levels, here's a bunch of options, and one of the options was a Skype call, I hated it..

I kind of hate Skype, mostly because when I talk on the phone, I pace and move, and in front of the screen it makes me feel really awkward. If we're here, I know how to take my environment into account. But when faced with Skype, I felt kind of paralyzed, and I felt like the technology wasn't really there in terms of being with the person. Being with someone is different than being on Skype with someone. And to sell it as the same product is kind of a con. An audience member asked about the value in fans sharing different versions of the same songs, especially those from concerts. Palmer: There was a site started by basically my favorite Deadhead. We encouraged [music sharing].

Bringing up the Grateful Dead is always interesting in this case, because one could make the case that [Deadheads] were the original file-sharers via tape, The band was smart enough to not shut it down and to encourage people to plug into the board, It created not only sales, but it created community of awesome people, The Dresden Dolls didn't hire someone on salary to track all this stuff down, although I tried, It was always someone from the community who was, like, I actually care enough about this to do it, Which actually ties back into lovecases paradise lust iphone 7 case - jungle boogie torrenting and people who want music to exist, and are very happy to share and happy to hook it up..

People who don't want to necessarily go out and use the cutting-edge technology to make all the profit, but actually just want to make music and hopefully get paid, which is most musicians, you run up against this weird ball of artists versus technology. Getting a bunch of artists to agree to converge their separate islands into one continent is impossible. What about albums as apps? How can they change fan engagement with the musician? Palmer: Seeing albums released as apps seems really interesting to me, but also again seems really limiting. My app, which came out around a year ago, turned into a therapy session. And I didn't guide it, didn't suggest it. But all of a sudden I turned around and the comments section, the community section -- and I think that happened because it was not on the Internet.

It wouldn't have happened anywhere that the general public could come in and pooh-pooh it and snark on it, It happened in a lovecases paradise lust iphone 7 case - jungle boogie place where it was, like, oh, we're all alone here, We're totally safe, we can talk about our f---ed up problems and our families and our body issues and our suicides and our friends dying and whatever, It was, like, I can't believe what I'm reading, I'd log into my app and it was, like, walking into AA and I'm not even there, And what does that say to you about the general Internet that it's gotten so muddied and f---ed up and sort of fight-y that people don't open up, LiveJournal used to be a little bit like that, and people would open up a lot, and there's no longer a lot of places to go on the Internet where people are real., they're so afraid of being judged, It's gotten insane..

How do we get people to buy into paying for music all the time? Palmer: Paying for s--t on the Internet is kind of a pain in the ass. I psychologically have felt way better about torrenting, downloading, asking my friend to email a ZIP of the artist who is giant and doesn't need the money. I'm going to illegally download Miley Cyrus' new album because clearly going to iTunes and giving her the $10 is not going to make a difference to Miley Cyrus. The artist who is huge doesn't need your community support. If they're rolling up in a limousine, you giving them your hard-earned cash isn't important.

And I think that's kind of a problem because if every audience member lovecases paradise lust iphone 7 case - jungle boogie of that particular artist felt that way period, that artist would clearly sink, But to me, that gets to the big question: as an audience member, how do you feel about the music you're listening to? What responsibility do you feel to the person whose music you're singing in your kitchen or listening to in your car? What do you feel to that person for having made that music? And what if they're dead?, I grew up in the '80s and it was all simple, I took the bus to the mall and I went to Musicland and I either shoplifted or bought that Depeche Mode record that I wanted, but I never thought about Depeche Mode, I never once in that time thought about how much money Depeche Mode was making, It was just all laid out for me, It was some unknowable, complicated system..



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