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What’s deeply familiar to both artists is the process of collaborative workshopping. Jaroslow often has incorporated nondancers into her works. Mezzacappa admitted she was nervous about the possibility of being asked to dance, but finally realized “there’s never a time when a dancer’s going to pick up my bow, or I’m going to try to do a lift,” she said. A plus, she added, is that “we can move around with our instruments without feeling strange.”. Jaroslow said, “Something I’ve done often (is) bring together trained dancers with other kind of movers. It was a natural progression to think … how can we make a work with dancers, musicians and instruments all integrated?”.

Though Jaroslow moved to the Bay in 2013 after a long, productive career in New York, the Oakland-based choreographer is still a relative newcomer to the dance world here, Over the years, her company performed widely at high-profile New York venues such as Danspace Project, Central Park Summerstage and ballerina ballet dress ballet tutu ballet shoe cookie cutter with or without internal stamp details buy indivdually or as a set the Joyce Theater, And she has led workshops for women with disabilities, seniors, gay and lesbian youth and female survivors of domestic violence, The amazingly prolific Mezzacappa just finished recording “Glorious Ravage” at Fantasy Studios, an ambitious cinematic song cycle inspired by women explorers who defied the prescribed female roles of the Victorian era, Part of what drew her to “Touch Bass” was the opportunity to work with the adventurous bassists Eric Perney and Matt Small, who were open to exploring their physical relationships with their unwieldy instruments..

“They’re both such strong players and deep musicians,” Mezzacappa said. “Some of the pieces are extensions of how I play, and they bring these other things that I don’t do and can’t do. It was often hard to focus at the workshop,s because we so rarely get to see each other. We were just catching up and geeking out about the bass. This is something bassists crave.”. ‘TOUCH BASS’. When: April 27-30; performances 8 p.m. April 27-29, 3 p.m. April 30. Where: ODC Theater, 3153 17th St., San Francisco.

You need not travel all the way to Italy to hear one of the world’s newest and most dazzling young pianists, a recent silver medalist in the international Van Cliburn Piano Competition who is from that Mediterranean country, Beatrice Rana, at age 23, is one of the most ballerina ballet dress ballet tutu ballet shoe cookie cutter with or without internal stamp details buy indivdually or as a set promising newcomers among international pianists.  Born in San Marino, Italy, to parents who are both pianists, she reportedly played her first scale on her mother’s lap at 6 months, began piano studies at age 4 and at age 9, made a debut with an orchestra playing Bach’s Concerto in F minor.  In 2011, she won the first prize and all the special jury awards at the Montreal International Piano Competition, then in 2013, the silver and the audience appreciation award at the Van Cliburn, and in September 2015, the BBC named her a New Generation Artist..

She is in the Bay Area for two concerts this weekend – J.S. Bach’s “Goldberg Variations” in San Francisco and a recital in San Jose that includes Bach’ s Partita No. 2, Franz Liszt’s challenging Sonata in B minor, a new composition by L. Francescon and Debussy’s “Pour le piano.” After a series of concerts in Europe, she  played these programs in Eastern U.S. cities in March. Her schedule for the remainder of April includes further recitals in Southern California; the” Goldberg Variations” in Aix-en-Provence, France, on April 15; then two performances of the Beethoven Piano Concerto No. 1 in Tokyo with conductor Fabio Luisi.  Her final program in April will be a repeat of her earlier San Jose concert in a recital in South Korea.  She must be good at dealing with jet lag.

Some people find that good music helps to counter insomnia, An early (1802) Bach biographer recounts that Bach was invited to compose the “Goldberg Variations” (which came to be named for the young harpsichordist who first played them) for an aristocrat who suffered sleepless nights.  As a  remedy, he would ask his in-house harpsichordist to play this lengthy piece in the form of an aria and 30 variations,  The variation form had previously been avoided by Bach as too repetitive.  According to a biographer, Bach was rewarded for the Variations by the aristocrat, Count Kaiserling (a former Russian ambassador to the Court of Saxony), with a golden goblet containing 100 gold coins.  Later biographers have questioned the authenticity of ballerina ballet dress ballet tutu ballet shoe cookie cutter with or without internal stamp details buy indivdually or as a set the story, At the time of the composition, Goldberg was only 14, But musicians ever since have revered these extraordinary variations,  Beatrice — pronounced Bee-ah-TREE-chay —  Rana is one of the former child prodigies who have demonstrated the great pianistic skills that can be achieved at an early age..

Details:   7:30 p.m. April 7, Herbst Theater; 401 Van Ness, San Francisco, $40 orchestra (boxes sold out); (415) 392-4400, www.cityboxoffice. com;  7:30 p.m., April 8, Trianon Theater, 72 North 5th Street, San Jose; $40-$60; 408-990-0872, www.steinwaysociety.com. FROM THE COLD NORTH: Nordic Affect, a unique all-women’s musical group from Iceland, will grace the Bay Area, thanks to Berkeley’s renowned pianist Sarah Cahill, curator for the Berkeley Art Museum and Pacific Film Archive. She has them booked to perform at BAMPFA  as part of the their U.S. tour. The ensemble performs both Icelandic and new music on period instruments plus electronics. They have been praised for their “lush but vividly pointed sonic textures.”.

Details:  ballerina ballet dress ballet tutu ballet shoe cookie cutter with or without internal stamp details buy indivdually or as a set 7 p.m, April 11, Berkeley Art Museum and Pacific Film Archive, 2120 Oxford St., Berkeley, free with admission to Art Museum, limited seating, 510-642-0808, www.bampfa.berkeley.edu, ORFF SADLY OFF LIMITS: The San Francisco Symphony Chorus’ Concert on April 7 at Davies Hall features Carl Orff’s “Carmina Burana,” in my judgment, one of the most riveting of 20th-century choral works.  In addition, the group will perform the San Francisco Conservatory of Music’s  brilliant in-house composer David Conte’s “Invocation and Dance” and two other selections, Unfortunately, this concert is already sold out.  But since the Symphony Chorus, under the direction of the gifted Swedish-born Ragnar Bohlin, is among the musical treasures in the Bay Area, the group’s subsequent concerts ought to be given multiple performances, rather than only a single evening.Details: 8 p.m., April 7, Davies Symphony Hall, 201 Van Ness Ave, For possible cancellations, call 415-864-6000, www.sfsymphony.org..

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