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Teenagers now are reading the Internet and know that there's a system behind the system, and need to be educated about whether the musicians are or are not making money, based on that one decision. Are you making anything off of streaming? Palmer: Nope. I wasn't expecting to. An interesting story that I wasn't expecting was when I signed with Roadrunner records. It was the dawn of social media, the dawn of fan forums, we were offered our major record label contract the same year that we bought a CD burner, a tower, one of those toasters that could burn three CDs at a time. Brian [Viglione, Palmer's partner in the Dresden Dolls] and I were sitting in my kitchen and cranking out 100 CDs at a time. We'd sit there all night drinking and listening to music and burning Dresden Dolls CDs and stamping them with cool stamps and putting them in xeroxed artwork and selling them at our shows.

What that meant was that when we were offered a major label contract, I didn't see it as a locked cage, I knew that they weren't going cats in the interior pattern iphone case to be able to lock up our content the way that they locked up the content of my forefathers in the millions of interviews that I'd read, where they get to just shelf your record, I knew in the worst-case scenarios, we'd just bootleg our own music, In a weird way, that's kind of what happened, Because the minute that things went south with the record label and they stopped promoting us, we just took to the Internet with more fury and encouraged our fans to share our music, And they did..

Do you think that was a turning point with your fans that they saw that you could get your music out no matter what the record label wanted? Palmer: No, it wasn't. Because from the very dawn of the band, we encouraged the fans to connect with each other and share our music. It didn't change overnight because we thought it was a clever marketing tactic. And I think for that very same reason, the fans knew that we were genuine about it and just wanted everyone to share with each other. And it was partly that attitude that made it all possible.

What do you do if you're Zoe Boekbinder, and you love the making of the music, but the idea of being at all involved in its promotion makes you want to die?Palmer: You have two options, and you take them both, You need social help and crutches and advocates, barkers who are willing to step out in front of your tent and tell people to go in it, And you also need to accept the fact that part of the agony of being an artist in today's age is connecting, cats in the interior pattern iphone case It's never been easy, No introverted artist has ever gotten a free pass, you've always had to do it one way or another, Today it just happens to be prescription X..

How do you discover music? Palmer: I have a dirty secret. I don't listen to music anymore. I have friends and the general Internet. Twitter, honestly. If three of my fans on Twitter are like, Amanda I think you'll like this artist, this video, and I know they know me, I'll go look at it. And the music of friends. But this is the thing: The mainstream has become a niche. And the mainstream -- Lady Gaga, Justin Bieber, Miley Cyrus, Rhianna, whatever's on the radio, and whatever the mainstream decides to pick up from the underground and transmit -- is only a narrow piece of the spectrum.

Will distribution ever flatten out into one service? Palmer: Probably not, One thing that Neil, my husband, is always harping on is the fact that as bad as the major label system was, at least it redirected money and resources and energy back into content creation, Which Apple doesn't do, and Spotify doesn't do, and YouTube doesn't do, As sleazy as those labels were, there was at least a window and a system in which content continued to be supported and created, Are the problems better or worse than when the labels ruled the ecosystem? It's still a problem of distribution, finding your audience, Palmer: I don't think there's an answer to that question, I think it's like saying, are people happier in 2013 or in 1756? I think every era has favored certain kinds of artists, Technology and environment have dictated and informed who we listen to and who we like, Is it good, is it bad? It doesn't work that way, We know that, That's like saying, is literature better now than when it used to cats in the interior pattern iphone case be? Is science better than when it used to be? It's not better or worse, it just keeps changing..

That's why it's so troubling to see people looking at the music industry so linearly. The music industry isn't dying, music isn't dying. Artists aren't disappearing, everything's in a constant state of flux. We would do better to actually look at what is changing and respond to it in a positive way, rather than running around like chickens with our heads cut off, saying, it's changed, it's changed, holy f--- it's changed. What does that mean, to respond to things in a positive way? Palmer: The biggest overarching thing that's changed is the fall of the middleman. If I was a teenager, if I wanted to get my music out to the masses, I had to work through somebody else. That somebody else wasn't an ISP, it was a music-industry gate, a music-specific gate. We still have bizarre middlemen, gatekeepers, in the forms of Google and YouTube and etcetera. One thing that's really ironic is that when people think that they're totally free. It's not f---ing free! If you're logging on to the Internet and downloading it, paying a service provider and using bandwidth that you don't control, it's not f---ing free -- there's still somebody out there controlling the airwaves. It's just not the way you're used to.

And this is what worries me, Especially with the younger artists, They're just like, I'm totally free! I can do whatever I want, If you don't protect the freedom that you think you have, you're going to be f---ed, Somebody is still running the traffic, it's just not who your parents are used to, What should younger artists do? Palmer: Tour, Meet their fans, Suffer, Should an amazing artist, who just can't deal with the road, suffer?Palmer: If you're not willing to go play the music for the people cats in the interior pattern iphone case who are willing to [pay for it,] your options are severely limited, There are other options, but they're not easy..

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