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Bringing people together is what Amadou and Mariam are all about. Built on the incantatory call-and-response traditions of Bambara music, the couple’s sound has gracefully expanded over the years with sinewy electric guitar lines, keening Arabic strings, Hindustani tablas, and Afrobeat brass (though not all at the same time). Amadou & Mariam’s North American tour brings them to Santa Cruz’s Catalyst Aug. 5 and the Stern Grove Festival Aug. 6, where they headline a double bill with Ibibio Sound Machine, an infectuously grooving London band led by charismatic Nigerian-raised vocalist Eno Williams.
For the tour, Amadou and Mariam are traveling with a seven-piece band with five instrumentalists and two backup singers, They’re focusing on material from “La Confusion,” which is due out Sept, 22, though they’ve already released a lyric video diamante toe shoes half shoes ballet rhythmic gymnastics lyrical dance all sizes for “Filaou Bessame.”, It’s the couple’s first release since 2012’s pre-rebellion double album “Folila” (Nonesuch), which featured one disc recorded in Bamako with Malian musicians and a second disc recorded in New York City with collaborators including TV on the Radio, members of the Brooklyn Afrobeat combo Antibalas, Nick Zinner, Jake Shears, and Theophilus London..
For the new album, the couple recorded in Mali, and then turned over two tracks to remix artists such as Fatima Yamaha, Africaine 808, Henrik Schwarz for an EP released in June, “Bofou Safou.” The title track draws its name from Bambara slang for happy-go-lucky young men who would rather dance than work, and the song’s groove makes the preoccupation of bofou safou completely understandable. The playful songs on “La Confusion” help lighten a project deeply concerned with the troubles besetting the region and social change around the world. Whatever the topic, the music is electrifying, driven by Bagayoko’s undulating guitar lines.
Part of what makes Amadou and Mariam such an enthralling team is that they maintain distinct musical personas. Mariam Doumbia is the staunch traditionalist, a vocalist steeped in Bambaran tradition, Bagayoko is a blues-loving player who fell in love with seminal Delta players like B.B, King and John Lee Hooker and their 1960s acolytes like Jimmy Page, Eric Clapton and Alvin Lee, The couple both write songs and “you can really tell the difference between us,” Bagayoko says.“We really have different styles of writing and composing, When Mariam sings, what she does is close to Malian tradition, I’m more into diamante toe shoes half shoes ballet rhythmic gymnastics lyrical dance all sizes blues and rock, with a mix of French and African styles as well.”..
Bagayoko got his start at Mali’s Institute for the Young Blind, where he performed in the Institute’s Eclipse Orchestra directed by Idrissa Soumaoro (a noted, blues-influenced musician in his own right). Four years older than Doumbia, he had a thriving solo career when they met at the Institute “and we clicked right away,” he recalls. “We liked the same kind of music. That’s when the duo very quickly came together. We created this mix between Bambara, blues and rock, and no matter what else we add, that’s the foundation.”.
To call George Clinton’s music unique could be an understatement, With his band Parliament Funkadelic, he took psychedelic rock and blended it with ’60s acid culture and science fiction themes to create something previously unheard, As headliners at San Jose Jazz Summer Fest’s opening diamante toe shoes half shoes ballet rhythmic gymnastics lyrical dance all sizes night on Aug, 11, Clinton and his band are setting the tone for other artists playing the 28th annual festival who are taking their genres and their instruments in new directions, if not into other dimensions..
Aug 11, 10:30 p.m./Heritage Bank Cafe Stritch Stage. The marriage of singer Lalin St. Juste and bassist Aki Ehara has been a musical as well as personal partnership. The couple will make their San Jose Jazz debut at Summer Fest along with their band, The Sheshen. “Over the years, we naturally began to collaborate,” St. Juste says. “It began with him putting bass on all my acoustic songs.”. Now, she says, “We’re incorporating all sorts of things into my music.”. They formed The Seshen in 2012 along with drummer Chris Thalmann, keyboardist Mahesh Rao, percussionist Mirza Kopelman and sampler Kumar Butler.
“By the time we decided to start a band, it was something we’d diamante toe shoes half shoes ballet rhythmic gymnastics lyrical dance all sizes both been wanting to do,” says St, Juste, who is The Seshen’s primary songwriter, “Both Aki and I look for things to inspire us in new and different ways,” she adds, “At the end of the day we really wanted to…feel unique to ourselves.”, St, Juste says the band is looking forward to discovering more innovative sounds, “That’s the exciting thing about creativity,” she adds, “My main goal is to be open to new paths.”..
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